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supported by 49 fans who also own “Prosthuman Remixes”
[Bureau B Subscription 007] [2012.03.09 (2013)] [17 tr.] [57m48s] Wunderland ist wunderbar :-) Such a creative use of samplers! Uplifting music, plenty of light here, imagine Johannes Schmoelling's The Zoo Of Tranquility on an even more carefree fashion. The ideal music for a well deserved coffee break while you're enjoying the 17 travels that this album proposes. A very nice discovery, which contains 5 bonus tracks! I've enjoyed it a lot. Thank you so much!
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supported by 49 fans who also own “Prosthuman Remixes”
[Bureau B Subscription 006] [1977 (2009)] [9 trs.] [36m14s] [A side: Trs. 1 - 4 / B side: 5 - 9] A wonderful album packed with minimal ambient masterfully played by Dieter Moebius, Hans-Joachim Roedelius and Brian Eno, engineered by Conny Plank. Holger Czukay helps on track 1, whilst Asmus Tietchens and Okko Bekker collaborate on track 8. 9 miniature worlds, soundtracks for films yet to be filmed, so delicate and delicious that they can be heard on loop. This is a top-notch album!
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supported by 49 fans who also own “Prosthuman Remixes”
[Bureau B Subscription 008] [2020.04.17] [4 trs.] [45m18s] Now this is serious stuff. There aren't many albums like this one, so well crafted, with a great equilibrium between two evocative instrumental tracks (1 & 3) and two mesmerizing songs (2 & 4). All works like a charm! Solid and nuanced work, plenty of kosmische beauty and ambient, kraut splendor. Beware with the impressive Himmelfahrten piece, it's very addictive!!! Bravo!
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Proggy, epic stoner metal with more than a touch of the fantastical in its winding melodies.
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This collection of studio and live pieces from 2016-2020 highlights synth maestro Papiro's playful, psychedelic side.
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Vancouver-based musician Yu Su showcases her unique blend of ambient dub and downtempo house with influences from trip-hop, left-field sound design, and Chinese strings.
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supported by 49 fans who also own “Prosthuman Remixes”
[Bureau B Subscription 009] [2020.05.22] [7 trs.] [41m04s] I detect some serious sci-fi vibes here, and not only because of the deployment of electronic sounds and sequences, but also for the sensation that cut across the entire album: With Nicht Nicht I'm inside something complex and catchy, who deserves an attentive listening at a medium / high volume for a better enjoyment. A very nice discovery, I agree with Sebastiaan Janssen's comments.
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